The University of Cambridge has described early Antarctic exploration as an example of colonialism, despite the continent being uninhabited except for penguins. This assertion is part of a broader initiative by the university's museums to confront and acknowledge Cambridge’s historical links to colonialism and empire.
The university’s Polar Museum, which houses around 5,000 objects including artefacts related to famed explorers Robert Falcon Scott and Ernest Shackleton, has installed new signage addressing these themes. One particular sign in the Antarctic display poses the question, “The colonised Antarctic?” and explains that at the start of the 20th century, Antarctica was largely unknown and became the focus of expeditions aimed at reaching the South Pole. It states, “At the same time, these expeditions were in the colonial mould – claiming land, mapping, prospecting for resources, even sending stamps as a sign of ownership.” The sign draws attention to Antarctica’s unique status, noting that “The only difference was that there was not an indigenous population in Antarctica.”
The signage references definitions of colonialism, highlighting the Cambridge Dictionary’s description as “the belief in and support for the system of one country controlling another,” although it acknowledges that other definitions emphasise control over territory and peoples, such as that from the Oxford Dictionary of Human Geography.
This effort falls under the university’s “Power and Memory” project, which aims to reveal and address the institution's historical entanglements with colonialism, empire, and slavery. The Polar Museum has also sought to uncover “hidden histories” within its collection, presenting perspectives that challenge traditional narratives of Arctic and Antarctic exploration. For example, some displays note that during interactions with indigenous communities in polar regions, explorers often held disproportionate power. There is also recognition of the contributions made by black individuals within polar research.
Separately, the Fitzwilliam Museum at Cambridge is currently hosting an exhibition titled Rise Up, which explores the history of slavery and its abolition. The exhibition catalogue controversially claims that renowned physicist Stephen Hawking, among others, indirectly benefited from funds with origins in slavery that were donated to Cambridge approximately 200 years before his birth. This assertion has been met with criticism from professors and historians who argue that the museum’s interpretation misrepresents historical facts.
These developments form part of wider debates about how institutions address the legacies of colonialism and empire, with Cambridge University’s museums taking steps to confront these complex subjects through exhibitions and newly installed interpretive materials.
Source: Noah Wire Services