Simone Ashley made a striking appearance at the Monaco Grand Prix, captivating onlookers in a stylish ensemble that featured a pink and brown jacket along with a mini skirt, accentuating her long legs. The 30-year-old actress, best known for her roles in Bridgerton and Sex Education, complemented her outfit with a sleek ponytail, gold earrings, a brown handbag, and fashionable cat-eye glasses. This display of fashion not only showcased Ashley's keen sense of style but also supported her commitment to sustainable fashion, as some elements of her ensemble were crafted by up-and-coming designer Conner Ives, who is known for upcycling vintage materials.

The Monaco Grand Prix, held on Sunday, was a high-octane affair that saw Lando Norris take the title after a commanding performance during the race. This event is emblematic of Monaco's reputation for glamour and speed, providing a glamorous backdrop for celebrities like Ashley to shine. Her appearance came just a day after she graced the closing ceremony of the 78th Cannes Film Festival, reinforcing her status as a notable figure in the entertainment and fashion worlds.

During the Cannes Film Festival, a new dress code was introduced, prohibiting nudity and banning overly voluminous outfits, a move aimed at maintaining decorum and addressing logistical challenges. Organisers stated that such adjustments were necessary to refocus attention on the films showcased rather than merely the fashion statements made on the red carpet. As articulated in a recent festival document, “For decency reasons, nudity is prohibited on the red carpet, as well as any other area of the festival,” strategically steering the event towards more modest and sophisticated attire.

This policy sparked a wave of debate among attendees and fashion enthusiasts, with many critics suggesting that the rules might inhibit creative expression. The new guidelines favour classic options, allowing cocktail dresses, pantsuits, or glamorous gowns, which reflect a departure from the recent trend of provocative, bare-all outfits. This shift comes against a backdrop of growing concerns regarding the nature of celebrity culture at significant events, where the emphasis has seemingly tilted towards shock value rather than artistry.

Despite the stringent dress code, many celebrities at Cannes found ways to push the boundaries, opting for daring yet compliant ensembles that balanced innovation and elegance. High-profile attendees managed to captivate onlookers, demonstrating that even within a more conservative framework, fashion can continue to make powerful statements. The festival's new guidelines have not only altered the dynamics of red carpet presentations but have also reignited discussions about the intersection of art, fashion, and socially driven rules at film festivals.

In an era that sees the blending of fashion and activism, Ashley's dual appearances in Monaco and Cannes illustrate the delicate balance between personal style, public expectations, and emerging trends in the fashion landscape.

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Source: Noah Wire Services