Cosey Fanni Tutti, a pioneering figure in the avant-garde and industrial music scenes, recently engaged in a candid conversation reflecting on her transformative journey as an artist. As a founding member of Throbbing Gristle and COUM Transmissions, she is often regarded as a vanguard of radical art, challenging societal norms with her provocative performances and installations. In an era filled with artistic commodification, Tutti expressed concern over the current landscape of art, suggesting that it has become increasingly transactional, driven by a need for monetary success rather than raw, authentic expression.

According to Tutti, the 1970s represented a time of unabashed freedom, where artists could squat and create without financial pressures dictating their work. "There was nothing," she stated, contrasting the present economic climate, which she feels stifles creativity in favour of commercial viability. Now, much of contemporary art appears more as a business venture than a platform for personal expression. However, she highlights groups like Kneecap—who produce music that resonates with honesty and raw energy—as pivotal figures today, bringing uncomfortable yet powerful truths to the forefront. “If your art or music is true and honest,” Tutti noted, “it does hold a power and strength that some people might find uncomfortable, and therefore it gets hit.”

Reflecting on her earlier work, particularly the controversial “Prostitution” exhibition in 1976, Tutti recalled how it incurred personal fallout, including disownment from her parents, yet it also opened critical dialogues about sexuality and societal norms. Living in Norfolk today, she finds a contrasting peace—one that nurtures her creative spirit through the beauty of her surroundings, fostering inspiration for her ongoing artistic pursuits. “Living in a small village really does suit me,” she shared, embracing the quietude and natural splendour surrounding her.

Tutti's influence continues to reverberate through the underground music scene, and she acknowledges the admiration from contemporary artists, albeit with a discerning eye. She recently expressed her disapproval of figures like Kanye West, whose work she views as more self-serving than impactful. “In my opinion, it’s dangerous and cruel,” she asserted, indicating a clear distinction between her own work, which aimed to provoke discussion, and a modern prevalence that often seeks simply to attract attention without substance.

As Tutti gears up for the release of her upcoming album, "2t2," scheduled for 13 June 2025, she reflects on the personal motifs within her music. This album represents a culmination of life experiences and artistic evolution, blending rhythmic vitality with moments of contemplative stillness. “It addresses personal bereavements and world events, centring on my strength and self-will,” she explained, underscoring her continued dedication to authenticity in her art.

Cosey Fanni Tutti stands as a testament to the enduring power of art that confronts and challenges, embodying a legacy that prioritises sincerity over saleability. Despite the evolved landscape of art, she remains committed to her vision, firmly believing that, even in a commodified reality, the essence of true artistry lies in its capacity for honesty and self-expression.

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Source: Noah Wire Services