The Hepworth Wakefield launches a crucial fundraising campaign to secure Barbara Hepworth's renowned 'Sculpture with Colour (Oval Form) Pale Blue and Red', aiming to prevent its export and ensure public access within the UK amid escalating auction prices and mounting financial pressure.
The Hepworth Wakefield museum has launched an urgent fundraising campaign in collaboration with the Art Fund to secure Barbara Hepworth's significant work, Sculpture with Colour (Oval Form) Pale Blue and Red. Acquired at auction for £3.8 million ($5.2 million) in March 2024, the sculpture has been temporarily barred from export to allow UK institutions a chance to retain it within the country. Currently, £2.9 million is still needed to meet the purchase price, following an initial contribution of £750,000 from the Art Fund and additional donations from private supporters.
Eleanor Clayton, head of collections and exhibitions at the Hepworth Wakefield, emphasised the importance of public access to this piece, noting, “If we’re successful, it would be pretty much on permanent display to the public, either in Wakefield or we would lend it to important exhibitions around the country.” The sculpture, created during World War II and crafted from painted wood and string, holds a prominent place in British modern art, embodying Hepworth's unique perspective influenced by her surrounding environment and personal circumstances as a mother of young children.
The temporary export bar, supported by Arts Council England, is a measure intended to allow time for a UK gallery to acquire the work—an act echoed by Arts Minister Sir Chris Bryant, who expressed hope that the sculpture can remain on UK soil for future generations. Recent reports indicate that the sculpture was initially valued lower, around £3.5 million, but it successfully raised to £3.8 million at auction due to competitive bidding, illustrating the intense interest in Hepworth's works.
This particular sculpture was notable not only for its aesthetic appeal but also for its backstory. Hepworth crafted it while residing in St. Ives, Cornwall, amidst the demands of family life, which limited her studio time. The artwork’s physical composition of wood, for which she required a special permit, and the evocative use of coloured string highlight Hepworth's innovative approach to form and texture. Historically, the piece has been well-regarded, having been exhibited at prestigious venues such as Tate galleries.
Art Fund director Jenny Waldman reinforced the urgency of the campaign, stating, “This rare and significant sculpture should be on public display in the UK now and for generations to come.” In the current climate, she noted that many museums lack the resources to compete with escalating art market prices, which adds pressure to ensure landmark pieces like Hepworth’s remain accessible to the public.
As the deadline approaches on August 27, the concerted efforts of the Hepworth Wakefield and its patrons remain pivotal in securing this culturally significant artwork for the nation.
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Source: Noah Wire Services
Noah Fact Check Pro
The draft above was created using the information available at the time the story first
emerged. We’ve since applied our fact-checking process to the final narrative, based on the criteria listed
below. The results are intended to help you assess the credibility of the piece and highlight any areas that may
warrant further investigation.
Freshness check
Score:
8
Notes:
The narrative is recent, dated June 6, 2025, and pertains to a fundraising campaign initiated by the Hepworth Wakefield museum in collaboration with the Art Fund to acquire Barbara Hepworth's 'Sculpture with Colour (Oval Form) Pale Blue and Red'. The sculpture was auctioned in March 2024 for £3.8 million, with £2.9 million still needed to meet the purchase price. The report includes updated data on the fundraising progress, indicating a higher freshness score. However, the core information about the sculpture's auction and the initial fundraising efforts has been previously reported, suggesting some recycled content. The report is based on a press release, which typically warrants a high freshness score. No significant discrepancies in figures, dates, or quotes were found. The narrative does not appear to have been republished across low-quality sites or clickbait networks.
Quotes check
Score:
7
Notes:
The report includes direct quotes from Eleanor Clayton, head of collections and exhibitions at the Hepworth Wakefield, and Jenny Waldman, director of the Art Fund. These quotes are consistent with previous reports, indicating potential reuse. No earlier usage of these exact quotes was found, suggesting they may be original or exclusive to this report. The wording of the quotes varies slightly compared to earlier reports, indicating some originality.
Source reliability
Score:
9
Notes:
The narrative originates from Artforum, a reputable organisation known for its coverage of art and cultural news. The report is based on a press release, which typically warrants a high reliability score. The individuals and organisations mentioned, including Eleanor Clayton, Jenny Waldman, and the Hepworth Wakefield museum, are verifiable and have a legitimate public presence.
Plausability check
Score:
8
Notes:
The claims made in the narrative are plausible and consistent with known facts. The fundraising campaign's urgency and the involvement of the Art Fund align with the cultural significance of the sculpture. The report includes specific factual anchors, such as names, institutions, and dates, enhancing its credibility. The language and tone are consistent with typical art news reporting, and there is no excessive or off-topic detail. The tone is appropriately formal and informative, resembling typical corporate or official language.
Overall assessment
Verdict (FAIL, OPEN, PASS): PASS
Confidence (LOW, MEDIUM, HIGH): HIGH
Summary:
The narrative is recent and based on a press release from a reputable organisation, with no significant discrepancies or signs of disinformation. The quotes are consistent with previous reports, indicating potential reuse, but no earlier usage of the exact quotes was found. The claims are plausible and supported by verifiable sources. Therefore, the overall assessment is a PASS with high confidence.
