The latest episode of Doctor Who, titled “Wish World,” serves as a captivating continuation of the series' tradition of intertwining science fiction with sharp political commentary. As the first part of the season finale, this episode dares to expose the absurdities of contemporary governance, specifically critiquing the direction of the new Labour administration. Central to this instalment is the character of the new Rani, portrayed by Archie Punjabi, who ingeniously ensnares the Doctor, played by Ncuti Gatwa, revealing a world deeply influenced by her grand machinations—a sobering reflection of the manipulative politics seen in today’s landscape.
Set in a chillingly nostalgic 1950s totalitarian society, the episode critiques contemporary societal dynamics through an exaggerated lens. The Doctor and his companion Belinda live under the guise of the mundane Mr. and Mrs. John Smith, complete with a seemingly perfect baby named Poppy. This portrayal of an idyllic family life belies a more sinister reality, manifesting fears of a regressive agenda emerging under Labour rule, where tradition is disregarded in favor of a misguided social experiment. The episode evokes comparisons to dystopian works like Terry Gilliam’s Brazil and the video game We Happy Few, which also explore themes of conformity and authoritarianism—echoing the reality many fear as the new government prioritizes adherence to ideology over individual freedoms.
The antagonist, Conrad Clark, whose right-wing podcast previously entertained audiences, emerges as a symbolic figure of toxic masculinity. As he conjures his perfect vision of society with assistance from two versions of the Rani, the narrative unfolds with Conrad positioned as a manipulative “daddy figure.” This uncritical embrace of paternalistic power raises questions about the broader implications of such societal constructs in an age where authority is increasingly questioned. As the self-proclaimed benevolent dictator, he utilizes state-sponsored fear to maintain control, vanishing anyone who dares to dissent—harkening back to Orwellian cautionary tales and highlighting a growing disdain for opposition under the current regime.
The character Ruby Sunday, standing as one of the episode's societal outcasts, conveys a poignant critique of class disparity and systemic oppression. She embodies those marginalized by a regime that thrives on the erasure of the underprivileged, showcasing the layers of fear and anxiety that permeate the populace. This dynamic mirrors real-world concerns over the silencing of dissent, aligning with the increasing alienation many feel in today’s political climate. The writer, Russell T Davies, known for his savvy political satire, grants audiences a familiar yet unsettling exploration of a world where conformity is enforced and voices are suppressed.
Drawing parallels to previous Doctor Who episodes, the narrative assumes a classic science fiction framework: the hero trapped in a villainous construct. Conrad, portrayed as a despicable figure, is revealed to be a mere pawn in the Rani's grand narrative, reflecting the often-blurred lines of power and manipulation in dystopian settings. The episode deftly delivers unexpected twists, resonating particularly with long-time fans while engaging new viewers.
As the episode unfolds, anticipation heightens for the concluding part of this arc, promising a momentous showdown between the Doctor and the forces seeking to uphold oppressive control. With Doctor Who's enduring legacy of social commentary, this latest episode challenges viewers to reflect critically on the nature of power, the fragility of freedom, and the necessity of questioning authority—timeless themes revisited with sharp relevance as the nation grapples with its own political struggles.
Source: Noah Wire Services