Strictly Come Dancing's head judge Shirley Ballas has spoken out forcefully against critics who accuse her of favouritism and bias, attributing much of the negativity she faces to the challenges women encounter in showbusiness. In a candid address at the Wimbledon Book Festival, the 65-year-old ballroom dance expert highlighted the scorn and disapproval high-achieving women often endure, suggesting that the entertainment industry—and society more broadly—is resistant to seeing women succeed on their own terms. "Everybody pretends to be your friend, but I’ve found that 99.9 per cent of people whom I deal with on a daily basis don’t like to see women be successful," she said, adding that even close friends sometimes deliver sarcasm and underhand comments.

Ballas, known as the Queen of Latin for her decorated career in Latin dance, also discussed the difficulties faced by older women in showbusiness. She noted that maintaining a prominent position in her demanding industry at 65 is no small achievement. Her experience resonates with wider issues in the entertainment world, as other actresses like Jennifer Kirby have lamented the scarcity of roles for "older" women, particularly after life changes such as motherhood. Kirby, who recently became a mother, spoke about the reduction in opportunities even as she feels she has more to offer creatively.

Over her eight-year tenure on Strictly, Shirley Ballas has been subject to intense criticism and abuse, with some accusations centring on perceived biases towards male contestants. This tension reached a low point in 2023 when Ballas revealed she had been receiving death threats, leading producers to adjust the show's format to share the casting vote during dance-offs among all four judges, thereby reducing the personalised blame she bore for contestants' exits. Earlier, in 2022, she publicly addressed hurtful messages following contentious judging decisions, calling for mutual respect among viewers.

More recently, allegations of favouritism resurfaced after Ballas awarded a perfect score to contestant Pete Wicks while other judges gave lower marks. This sparked a fresh wave of social media debate, reflecting ongoing disputes about impartiality on the judging panel. Supporters of Ballas have noted Wicks' significant improvement, suggesting the score was merited. However, the persistence of these controversies illustrates the pressing challenges female judges face in commanding authority without being subjected to disproportionately harsh scrutiny.

Ballas has also pointed out the sexist undertones in audience reactions during live shows. She highlighted that when she and fellow female judge Motsi Mabuse give lower scores, they receive boos, whereas male judges awarding similar scores attract applause. This disparity suggests a bias against female authority figures in the entertainment arena, reinforcing Ballas' view of an entrenched culture resistant to women’s success.

Her experiences are not isolated. In an interview on BBC Radio 4’s Desert Island Discs, she recounted enduring "immense bullying" and misogyny in the dance industry, including threats intended to block her from working with top couples. She described a continuing presence of "a handful of misogynistic people with egos that just will not deflate" who perpetuate this toxic culture.

Shirley Ballas’ response to criticism, coupled with her persistence in an unsympathetic environment, not only sheds light on the double standards faced by women in entertainment but also underscores a broader societal reluctance to accept female success without resistance. Her candid reflections contribute to an important conversation about gender, authority, and respect in public life and showbusiness.

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Source: Noah Wire Services