According to reports, Taiki Sakurai , the former Netflix executive producer behind Pokémon Concierge and Cyberpunk: Edgerunners, now head of Salamander Inc , has argued that using AI in animation can be humane for creators, not just a cost-cutting tool. Speaking at a CEATEC panel entitled "The AI Agent Industrial Revolution and Japan's Potential", Sakurai said many animators do not relish drawing "100,000 pictures all by hand" and favour tools that relieve that burden. [1]
Sakurai’s comments follow the long-running controversy over Netflix Japan’s three-minute short The Dog & The Boy, released on 31 January 2023, whose backgrounds were credited as "AI (+Human)". That film prompted immediate backlash from fans and professional artists who argued generative tools undermine traditional craft and threaten jobs. Industry coverage noted the short explicitly used AI image synthesis for backgrounds. [2][3][4][5][6][7]
Sakurai framed opposition as stronger among fans than among production staff, and said Japan’s animator shortage , driven by demographic decline and fewer entrants to the industry , makes automation attractive as a practical response. He acknowledged differences across creative sectors, noting manga and illustration communities fear replacement more acutely because still images are easier for current AI to replicate than moving pictures. [1][3]
Industry and independent reporting, however, emphasise broader concerns beyond convenience. Artists and unions have repeatedly warned that many generative models were trained on copyrighted work without consent, and that opaque use of AI in finished credits fuels distrust. Critics say these issues go to intellectual-property rights, attribution and the economic value of creative labour. [5][3][4]
Sakurai has also described experiments at Salamander in which an AI model is trained on a concept artist’s style to turn rough doodles into finished art, and said the studio agreed to destroy that model after the project. He defended studio practice as collaborative, but opponents argue one-off promises do not resolve systemic questions about model training, data governance and future reuse. [1]
The debate remains multifaceted: there are tools that augment workflows without creating finished art, and there are approaches that generate near-complete imagery. Sakurai’s stated preference for the latter reinforces why fans and many creators remain uneasy; as he put it regarding the backlash to The Dog & The Boy, "People wrote things like Netflix had finally wiped out humans and was trying to make all its videos with AI". Whether the industry can reconcile efficiency gains with rights, transparency and fair work practices will shape how widely such methods are adopted. [1][2][5]
Reference Map:
- [1] (Creative Bloq) - Paragraph 1, Paragraph 3, Paragraph 5, Paragraph 6
- [2] (Engadget) - Paragraph 2, Paragraph 6
- [3] (Rest of World) - Paragraph 2, Paragraph 3, Paragraph 4
- [4] (Artnet) - Paragraph 2, Paragraph 4
- [5] (Vice) - Paragraph 2, Paragraph 4, Paragraph 6
- [6] (Popular Science) - Paragraph 2
- [7] (The Mary Sue) - Paragraph 2
Source: Noah Wire Services